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What followed in the Seventies was a staggering string of masterpieces, starting out spare as on the epochal Blue, home to indelible songs like the buoyant All I Want and the somber title track and growing increasingly involved across albums like Court and Spark , which yielded her biggest hit in the crazy-in-love anthem Help Me. By the time of Hejira, with roomy, formally dazzling songs like Amelia and Song for Sharon, she was firmly on her own terrain, and she would stay there through the Eighties and Nineties, as she modernized her sound without compromising her signature complexity and laser-focused eye for detail

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